Crystal Nights, Scarlet Whispers & Nordic Shadows
Photo Marie Reierth
Model: Siri Tollerød
Actress: Thea Sofie Loch Næss
Blue crystal gown: Alexandre Vauthier
Black dress: AKNVAS
Location Theatercafeen
Party dressing reveals its truest form after dark—where glamour, intimacy, and restraint converge. This extended editorial explores three expressions of modern femininity :
Couture edit brilliance, emotional sensuality, and Scandinavian minimalism.
Party season is often mistaken for excess. —for sparkle without substance. But true elegance reveals itself in intention, restraint and presence.
In this editorial for The Rebirth Magazine, fashion unfolds as storytelling—where style meets intimacy and dressing after dark becomes an act of self-definition.
Three Moods of the Night
When contrast meets harmony : three colors with meaning for the party season.
- Blue — couture brilliance, architectural glamour
- Red — intimacy, emotion, and sensual restraint
- Black — timeless strength, Scandinavian minimalism
There is a particular kind of magic reserved for the party season. An atmosphere where time slows, light softens, and style becomes a language spoken without words. In this in-between hour of evening and night, fashion reveals its most intimate power. This season, that power takes from through the norwegIAn model Siri Tollerød embodying two visions of nocturnal elegance.
Each look captures a different chapter of the evening—and a different expression of modern femininity.
The Blue Hour
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Party Season Dressing, Reimagined
This editorial explores that tension. Through the lens of couture edit and intimacy, Siri Tollerød embodies two moods of the night. The brilliance of arrival and the poetry of what follows. A crystal-blue silhouette that commands the room. A scarlet whisper that lingers long after the lights dim.
“This is party dressing not as show, but as storytelling.”
— THE REBIRTH OF THE PRINCESS
Alexandre Vauthier Couture edit
Photo Mato Johannik
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
In a crystal-embroidered gown by Alexandre Vauthier, midnight becomes tangible. The deep blue dress glimmers like a city skyline after dusk—cool, commanding, and endlessly captivating. Sculpted close to the body, the strapless silhouette is both precise and seductive, while the slit introduces a sense of movement, a quiet rebellion against stillness.
Captured in grand corridors and velvet-lined interiors, the look evokes old-world glamour reimagined for the modern woman. This is couture not meant to whisper, but to resonate—crafted for entrances that leave an imprint long after the music fades.
Alexandre Vauthier Couture edit
Photo Mato Johannik
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
This is the dress for chandeliers, theatre balconies, and nights where elegance walks ahead of you.
JAPANESE BLUE has a colour—and it shimmers.
Siri Tollerød in blue crystal dress, Alexandre Vauthier
(Grand hallway / theatre setting)
Alexandre Vauthier Couture edit
Photo Åsa Tallgård
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
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When Couture Meets Intimacy
The Blue Hour — Alexandre Vauthier
Alexandre Vauthier Couture edit
Photo Åsa Tallgård
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
Midnight has a colour—and it shimmers. In a crystal-embroidered gown by Alexandre Vauthier in Japanese blue, Siri Tollerød moves through space with architectural precision. The deep blue hue captures light like fractured starlight, commanding attention without asking for it.
The strapless silhouette sculpts the body with a couture discipline, while the slit introduces movement—a modern interruption that transforms elegance into power.
Alexandre Vauthier Couture edit
Photo Åsa Tallgård
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
In a crystal-embroidered gown by Alexandre Vauthier, Siri Tollerød moves through space with deliberate grace. The deep blue hue captures light like fractured starlight, reflecting strength, control, and undeniable allure. The strapless silhouette is architectural in its precision, while the slit introduces movement—an interruption of perfection that feels distinctly modern.
This is a dress for entrances, for chandeliers and velvet-lined rooms, for staircases and the charged silence that follows a woman who knows she has arrived.
“This is not a dress for blending in. It is a dress for being remembered.”
In Red, After Midnight
When the music softens, the night exhales and the show fades, red takes over ! The Filarmi gown reveals a quieter confidence—fluid lines, bare shoulders, and a scarlet hue that speaks of intimacy rather than excess. This is elegance worn for oneself.
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The Art of Dressing for the Night
Photo Mato Johannik
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
The Filarmi gown speaks a quieter language—one of intimacy, confidence, and emotional gravity.
Against crisp white sheets and hushed interiors, the scarlet fabric feels cinematic and personal.
Bare shoulders and fluid lines allow the colour to lead the narrative. This is glamour without spectacle, seduction without excess. A dress worn not for the room, but for oneself.
The red gown is an exploration of intimacy—fluid, restrained, and emotionally charged. Against crisp white sheets and hushed interiors, the scarlet fabric feels almost cinematic. Bare shoulders and clean lines allow the colour to speak for itself: confident, sensual, unafraid.
This is a dress for the moment after the party ends. When glamour becomes personal, and elegance no longer needs witnesses.
“Red does not ask for attention. It simply holds it.”
Photo Åsa Tallgård
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
The scarlet gown by Filarmi unfolds in softer light—against white sheets, hushed rooms, and lingering glances. Its fluid lines and bare shoulders speak of intimacy rather than excess, offering a vision of femininity that is confident, unguarded, and quietly magnetic.
Editorial produced for The Rebirth of the Princess
Photo Mato Johannik
Model Siri Tollerød
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
If blue belongs to the spectacle, red belongs to the moment that follows.
This is the dress worn when the party dissolves into conversation, when glamour becomes personal.
Together, the two looks form a dialogue :
- Blue — architectural, luminous, commanding
- Red — sensual, restrained, emotionally charged
They reflect the duality of the modern woman :
Bold yet introspective, powerful yet intimate. Party season is no longer about dressing for the room—it is about dressing for the moment you choose to own.
Together, they reflect the modern woman’s duality: presence and softness, spectacle and soul. Party season is no longer about excess—it is about intention.
The Quiet Power of Black
AKNVAS
In a layered black dress by AKNVAS, Norwegian actress Thea Sofie Loch Næss embodies Nordic restraint at its most powerful. Tulle moves softly against the body, creating a silhouette that values intention over display.
“True elegance does not announce itself. It stays.”
Photo Åsa Tallgård
Actress Thea Sofie Loch Næss
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
In a sheer, layered black dress by AKNVAS, Thea Sofie Loch Næss embodies a distinctly Nordic approach to eveningwear—one defined not by excess, but by intention. The silhouette is fluid yet deliberate, revealing movement rather than a show. Tulle cascades lightly, creating a sense of softness that contrasts with the strength of her presence.
Photo Åsa Tallgård
Actress Thea Sofie Loch Næss
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
Photo Mato Johannik
Actress Thea Sofie Loch Næss
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
Photo Mato Johannik
Actress Thea Sofie Loch Næss
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
Black, in this context, is not an absence of colour. It is clarity.
Set against classical murals, intimate hotel interiors, and softly lit staircases, the look feels almost cinematic—like a frame from a European art film. There is vulnerability here, but also self control. AKNVAS does not dress for attention; it dresses for women who understand their own gravity.
Where crystal dazzles and red seduces, black endures.
Photo Mato Johannik
Actress Thea Sofie Loch Næss
Styled by Vana Perisa
Make up Agnes Gulbrandsen
Location Hotel Christiana
Scandinavian Minimalism, Reimagined
AKNVAS speaks the language of modern Nordic luxury—where craftsmanship meets restraint, and femininity is expressed through nuance rather than display. On Thea Sofie Loch Næss, the dress becomes an extension of character: thoughtful, composed, quietly magnetic.
This is party dressing stripped of performance. No embellishment for the sake of shine. No drama without meaning. Just fabric, movement, and a woman fully present in herself.
REBIRTH MAGAZINE is a nonprofit arts and culture publication dedicated to educating, inspiring, and uplifting creatives
The Rebirth Magazine is a fresh, vibrant publication dedicated to celebrating creativity, culture, and soulful artistry. It shines a spotlight on emerging and established voices in music, fashion, and lifestyle — with a focus on authenticity, passion, and stories that inspire personal transformation and artistic rebirth.
Through in-depth interviews, thoughtful editorials, and stunning visuals, The Rebirth connects readers to artists who push boundaries, blend genres, and redefine what it means to create and express in today’s world.
Whether it’s uncovering a breakthrough model or actress like Siri Tollerød and Thea Sofie Loch Næss or exploring the latest in sustainable fashion, The Rebirth Magazine aims to be a source of inspiration and a community for those seeking deeper connection through art and culture.